The case of collages The penalty can increase to a fine of €7,500 for “ direct provocation to rebellion by writings displayed or distributed ” (article 433-10). We Suspect Here That the Choice of Pasted Messages is Not Innocent. Since None Will Explicitly Incite Rebellion. Contenting Itself With Recalling Facts or Figures. The Use of Paper (Which Eventually Peels Off) Therefore Makes It Possible to Circumvent the Law a Little. And at Least Not to Be in Pure Vandalism Which Would Damage the Walls. Until Today, the Rare Gluers Arrested Have Received, to Our Knowledge. Only Legal Reminders. The Choice of A4 Format is Also Interesting. If Obviously, It is the Most Economical and Accessible Paper Format. It Has the Advantage of Falling Within the Maximum Authorized. Limits (50×70 Cm) in the Environmental Code for Free and Associative Display . If You Are a Legal Reader, We Would Be Curious to Receive a More Expert. Opinion on the Question of the Paper. Format Under the Law in the Comments.
We have seen messages
Painted on the wall, without sheets, on Marguerite Ghost Mannequin Effect Stern ‘s account. The urgency of the situation, the need to be listened to have changed the message and the way it is displayed. Femicide collages, once decals, are now tattooed on the walls. Olympe de Gouges and the multicolored posters It’s hard to elude Olympe de Gouges by talking about anti-feminicide collage. During the French Revolution, the pioneer of feminism was the first woman to use posters to disseminate her ideas . At that time, this type of poster was called “placards” (hence placarding!) and was mainly used to make official notices public, alongside notices printed by opponents of royal power on the walls. Only the royal power had the authorization to print on white paper. Colored papers are reserved for other types of posters. Olympe de Gouges is no exception to the rule.
This royal law
Then on, the graphic charter of the Social Posts State recently designed by the government services, and imposing a large place on the white background (posters, site headers, etc.) is part of this logical continuity. White is order and power! The legacy of May 68 Visually, the collages are halfway between manifestos and protest slogans, inherited from the posters and graffiti of May 68 . Writing on the walls is the primary expression of angry people. Or just the people. And it does not date from yesterday, we have found graffiti on the walls of Pompeii! In 1968, creative ( the popular workshop ) then the Decorative Arts, which produced handmade posters in order to support the current movement, through an “active strike”. Some are purely visual, others textual. Students print on newsprint from printers on strike. Posters are not designed to last, but to illustrate the effervescence and urgency of the moment.